{"id":6428,"date":"2026-02-06T19:41:33","date_gmt":"2026-02-06T19:41:33","guid":{"rendered":"https:\/\/historiaintelectual.com.ar\/indiceprismas\/?p=6428"},"modified":"2026-02-06T19:41:34","modified_gmt":"2026-02-06T19:41:34","slug":"karush-matthew","status":"publish","type":"post","link":"https:\/\/historiaintelectual.com.ar\/indiceprismas\/karush-matthew\/","title":{"rendered":"KARUSH, Matthew"},"content":{"rendered":"\n<h2 id=\"wp-block-themeisle-blocks-advanced-heading-2c74b5bb\" class=\"wp-block-themeisle-blocks-advanced-heading wp-block-themeisle-blocks-advanced-heading-2c74b5bb\">KARUSH, Matthew<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00a0<a href=\"https:\/\/prismas.unq.edu.ar\/OJS\/index.php\/Prismas\/article\/view\/Fichas_prismas16\/556\" data-type=\"link\" data-id=\"https:\/\/prismas.unq.edu.ar\/OJS\/index.php\/Prismas\/article\/view\/Fichas_prismas16\/556\" target=\"_blank\" rel=\"noreferrer noopener\">(ed. en colaboraci\u00f3n) <em>The New Cultural History of Peronism: Power and Identity in Mid-Twentieth-Century Argentina, <\/em><\/a>por Laura Ehrlich<br>Vol. 16 (2012). Fichas<\/li>\n\n\n\n<li><a href=\"https:\/\/prismas.unq.edu.ar\/OJS\/index.php\/Prismas\/article\/view\/Caimari_prismas17\" target=\"_blank\" rel=\"noreferrer noopener\">The New Cultural History of Peronism. Power and Identity in Mid-Twentieth-Century Argentina<\/a>, por Lila Caimari<br>Vol. 17 (2013). Rese\u00f1as<\/li>\n\n\n\n<li><a href=\"https:\/\/prismas.unq.edu.ar\/OJS\/index.php\/Prismas\/article\/view\/Fiorucci_prismas18\" target=\"_blank\" rel=\"noreferrer noopener\">Cultura de clase. Radio y cine en la creaci\u00f3n de una Argentina dividida (1920-1946)<\/a>, por Flavia Fiorucci<br>Vol. 18 (2014). Rese\u00f1a<\/li>\n\n\n\n<li><em><a href=\"https:\/\/prismas.unq.edu.ar\/OJS\/index.php\/Prismas\/issue\/view\/3\/Prismas%2023%20(2019)\" data-type=\"link\" data-id=\"https:\/\/prismas.unq.edu.ar\/OJS\/index.php\/Prismas\/issue\/view\/3\/Prismas%2023%20(2019)\" target=\"_blank\" rel=\"noreferrer noopener\">Musicians in Transit: Argentina and the Globalization of Popular Music, <\/a><\/em>por Pablo Palomino<br>Vol. 23 (2019) Fichas<br><br><br><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[75],"tags":[6,30],"class_list":["post-6428","post","type-post","status-publish","format-standard","hentry","category-autoresresenadosk","tag-historia-intelectual","tag-resenas"],"_links":{"self":[{"href":"https:\/\/historiaintelectual.com.ar\/indiceprismas\/wp-json\/wp\/v2\/posts\/6428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/historiaintelectual.com.ar\/indiceprismas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/historiaintelectual.com.ar\/indiceprismas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/historiaintelectual.com.ar\/indiceprismas\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/historiaintelectual.com.ar\/indiceprismas\/wp-json\/wp\/v2\/comments?post=6428"}],"version-history":[{"count":1,"href":"https:\/\/historiaintelectual.com.ar\/indiceprismas\/wp-json\/wp\/v2\/posts\/6428\/revisions"}],"predecessor-version":[{"id":6429,"href":"https:\/\/historiaintelectual.com.ar\/indiceprismas\/wp-json\/wp\/v2\/posts\/6428\/revisions\/6429"}],"wp:attachment":[{"href":"https:\/\/historiaintelectual.com.ar\/indiceprismas\/wp-json\/wp\/v2\/media?parent=6428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/historiaintelectual.com.ar\/indiceprismas\/wp-json\/wp\/v2\/categories?post=6428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/historiaintelectual.com.ar\/indiceprismas\/wp-json\/wp\/v2\/tags?post=6428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}