{"id":6754,"date":"2020-10-01T20:32:36","date_gmt":"2020-10-01T20:32:36","guid":{"rendered":"https:\/\/historiaintelectual.com.ar\/?p=6754"},"modified":"2025-09-26T16:47:55","modified_gmt":"2025-09-26T19:47:55","slug":"xime-espeche-2","status":"publish","type":"post","link":"https:\/\/historiaintelectual.com.ar\/eng\/xime-espeche-2\/","title":{"rendered":"Ximena Espeche"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"6754\" class=\"elementor elementor-6754\" data-elementor-post-type=\"post\">\n\t\t\t\t<div class=\"elementor-element elementor-element-389fed92 e-flex e-con-boxed e-con e-parent\" data-id=\"389fed92\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t<div class=\"elementor-element elementor-element-38eeaa73 e-con-full e-flex e-con e-child\" data-id=\"38eeaa73\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-26cd34b3 elementor-widget elementor-widget-theme-post-featured-image elementor-widget-image\" data-id=\"26cd34b3\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"theme-post-featured-image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t<figure class=\"wp-caption\">\n\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"426\" height=\"331\" src=\"https:\/\/historiaintelectual.com.ar\/wp-content\/uploads\/2015\/08\/Espeche.jpg\" class=\"attachment-full size-full wp-image-9322\" alt=\"\" srcset=\"https:\/\/historiaintelectual.com.ar\/wp-content\/uploads\/2015\/08\/Espeche.jpg 426w, https:\/\/historiaintelectual.com.ar\/wp-content\/uploads\/2015\/08\/Espeche-300x233.jpg 300w\" sizes=\"(max-width: 426px) 100vw, 426px\" \/>\t\t\t\t\t\t\t\t\t\t\t<figcaption class=\"widget-image-caption wp-caption-text\">Ximena Espeche<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9eb4431 elementor-align-left elementor-widget elementor-widget-button\" data-id=\"9eb4431\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"button.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-button-wrapper\">\n\t\t\t\t\t<a class=\"elementor-button elementor-button-link elementor-size-sm\" href=\"https:\/\/historiaintelectual.com.ar\/eng\/ximena-espeche\/\">\n\t\t\t\t\t\t<span class=\"elementor-button-content-wrapper\">\n\t\t\t\t\t\t<span class=\"elementor-button-icon\">\n\t\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"http:\/\/www.w3.org\/1999\/xlink\" id=\"Layer_1\" x=\"0px\" y=\"0px\" viewbox=\"0 0 251 252\" style=\"enable-background:new 0 0 251 252;\" xml:space=\"preserve\"><polygon points=\"-1,0 250,252 250,0 \"><\/polygon><\/svg>\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t<span class=\"elementor-button-text\">Bio<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-7ee67078 e-con-full e-flex e-con e-child\" data-id=\"7ee67078\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-169c9d0 elementor-cta--layout-image-left elementor-cta--tablet-layout-image-above elementor-cta--valign-top elementor-cta--skin-classic elementor-animated-content elementor-bg-transform elementor-bg-transform-zoom-in elementor-widget elementor-widget-call-to-action\" data-id=\"169c9d0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"call-to-action.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-cta\">\n\t\t\t\t\t<div class=\"elementor-cta__bg-wrapper\">\n\t\t\t\t<div class=\"elementor-cta__bg elementor-bg\" style=\"background-image: url(https:\/\/historiaintelectual.com.ar\/wp-content\/uploads\/2020\/10\/Espeche-La-paradoja.jpg);\" role=\"img\" aria-label=\"Espeche La paradoja\"><\/div>\n\t\t\t\t<div class=\"elementor-cta__bg-overlay\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-cta__content\">\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<h2 class=\"elementor-cta__title elementor-cta__content-item elementor-content-item\">\n\t\t\t\t\t\tLa paradoja uruguaya\t\t\t\t\t<\/h2>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-cta__description elementor-cta__content-item elementor-content-item\">\n\t\t\t\t\t\tEl libro propone una paradoja: Uruguay deb\u00eda ser latinoamericano para no serlo. A partir de esta paradoja, explora los complej\u00edsimos y sutiles matices del mosaico de enigmas nacionales que diversos intelectuales confrontaron y mezclaron con aquellos comunes a la regi\u00f3n en su conjunto. Se detiene en tres figuras: Carlos Quijano, Carlos Real de Az\u00faa y Alberto Methol Ferr\u00e9, pero extiende el estudio a todo el campo cultural uruguayo.\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t<div class=\"elementor-cta__button-wrapper elementor-cta__content-item elementor-content-item\">\n\t\t\t\t\t<a class=\"elementor-cta__button elementor-button elementor-size-\" href=\"https:\/\/ediciones.unq.edu.ar\/381-la-paradoja-uruguaya.html\" target=\"_blank\">\n\t\t\t\t\t\tLink to the publisher\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-595d954 e-flex e-con-boxed e-con e-parent\" data-id=\"595d954\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Bio La paradoja uruguaya El libro propone una paradoja: Uruguay deb\u00eda ser latinoamericano para no serlo. A partir de esta paradoja, explora los complej\u00edsimos y sutiles matices del mosaico de enigmas nacionales que diversos intelectuales confrontaron y mezclaron con aquellos comunes a la regi\u00f3n en su conjunto. Se detiene en tres figuras: Carlos Quijano, Carlos [&hellip;]<\/p>\n","protected":false},"author":30,"featured_media":9322,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[97],"tags":[],"class_list":["post-6754","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-libros-de-investigadores"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ximena Espeche &#187; Historia Intelectual<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/historiaintelectual.com.ar\/eng\/xime-espeche-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ximena Espeche &#187; Historia Intelectual\" \/>\n<meta property=\"og:description\" content=\"Bio La paradoja uruguaya El libro propone una paradoja: Uruguay deb\u00eda ser latinoamericano para no serlo. A partir de esta paradoja, explora los complej\u00edsimos y sutiles matices del mosaico de enigmas nacionales que diversos intelectuales confrontaron y mezclaron con aquellos comunes a la regi\u00f3n en su conjunto. 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